My Life in Guitars (Part 2)

It was a few years, a marriage, a move or so, and a son and a daughter later before I got my next guitar.

We were living in Cheyenne, Wyoming—a wonderful place, although you do have to get used to the wind—the Wyoming Wind Festival runs from 1 January through 31 December—and they sell the tee shirts to prove it. In other words, when you first move there, the first priority is to figure out how to bungee cord the lid to the garbage can.

Cheyenne was small—about 53,000 people (in a state with 500,000, or 5 people per square mile) so it was a bit modest as far as shopping opportunities. For example, the first year we were there, the newspaper declared Sbarro’s Pizza as second place, in the “Best Restaurant for Lunch” category.

We’d regularly go to Fort Collins, Colorado for “real” shopping, but there were definitely places in Cheyenne worth visiting. One day my wife wanted to go to a craft store. I think I went in, and “finished” much earlier than she did, so I decided to go next door.

To a music store.

The music store had guitars on sale—the previous year’s Peavey Predator Plus. They had two, both green. Apparently was not fashionable (aka “cool”) and therefore, not a big seller. The guitars were marked down to half price or so. (Not actively shopping for guitars, I can’t say if it truly was a great price, or if they merely boosted the “original” price. Nevertheless, at the time, it seemed like a great deal.) I picked one up and I loved the feel; I mean, it was like, “Even I could play this!” I was hooked.

Peavey Predator with practical padded plain black guitar strap

 

The Predator series is supposedly inspired by Eddie van Halen, with a shorter neck to allow people with talent (like him) to move more quickly around the fretboard; it also allowed short under talented guys like me to feel cool, which is pretty awesome in itself. I mean, think about it. Playing a guitar, roughly the same color as my 1972 Ford Pinto could make me feel cool. How weird is that?

My wife walked in, realized that fate had spoken, and there was no use in even raising an eyebrow (she’s wonderful that way). So, with the guitar, a generic hard sided guitar case and a practice amplifier (Peavey, of course) we headed back home. When I told my parents how excited I was, they were so impressed, they offered to pay for the guitar. I decided I was neither too old, too wealhy, nor too proud to decline

Cool guitar. Wife supportive. Parents paying. So, who cares if it’s green?

I used to download chord charts and play rhythm along with Eagles CDs. Fortunately, none of the Eagles ever found out. Don Henley would have been most unhappy. Timothy B. Schmitt and maybe Don Felder might have even been willing to play along with me, so long as no one told Glenn Frye or Don Henley. However, if Glenn and Don found out, even though Joe Walsh and I have a lot in common (ham radio, northeast Ohio, etc.) I don’t think he would have dared to rush to my defense. Nevertheless, I had fun.

So, 15 or so years later, the green Peavey Predator Plus is still one of my favorites. The machine head has a locking system to keep the strings in tune. It’s got great pickups that can be switched in and out. That short neck does work well for me, and I have to admit, I’ve never thought—even once—of having it painted.

Incidentally, we returned to that same music store just before I deployed to buy a piano for the kids to start their music education. We still have the Peavey and the piano.

Good memories of Cheyenne.

2 responses to “My Life in Guitars (Part 2)

  1. This is great stuff. In this otherwise “crappy” week for the real and musical world, it was fun reading the blog. sb

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