I confess, I often act under the delusion that if I get a certain type of guitar, talent will somehow rub off on me. It’s kind of like Arthur pulling the sword from the stone—KAPOW! He’s king! Therefore, if I pull a certain guitar from its packing crate—KAPOW! I’ll be an awesome musician!
Alas, it doesn’t work that way (dammit!).
Having always enjoyed Queen, I was lusting over a reproduction of Brian May’s “Big Red” guitar. Brian (Dr. May to you astrophysicists) designed his guitar and with his father, built it. The body was cut from an old (and in England, old means something different than it does here) mantel piece. He apparently designed and built the pickups himself. The best part—at least to those of us who are geeks who love music—is that there are three pickups and six slide switches.
With most multi-pickup guitars, there is a single switch that lets you choose each pickup, or a combination, thereof. In other words, they are added together. Brian designed his so that he could either add any pickups OR put any one out of phase so that one is subtracting tones from the other(s). I cannot tell you how cool I find that.
However, I couldn’t justify it at nearly a thousand, once you add a case (Sigh).
Fathers’ Day arrived one year, and my wife took me to Guitar Center so I could choose a gift. I was worse than she is in the handbag department; I tried this guitar, that guitar, another, etc., ad nauseum. I told them that I wasn’t a soloist; I was a rhythm player (at best). However, I did like that “spooky” sound from Big Red.
The guitar I kept coming back to was an Epiphone SG. The luthier at the shop, noting my comments, mentioned that if I wanted that sound on the SG, all I needed to do was reverse the polarity on one of the pickups.
Being electronically inclined, I knew I could do it, so the SG was duly adopted and brought home. I did reverse the polarity on one pickup, but within a couple of weeks, I had rewired everything back to normal. Sorry, I’m no Brian May; I play rhythm.
However, the SG is a great guitar to play. Mine’s solid body, unvarnished red. I’ll leave Brian May to handle Big Red, I’ll play rhythm, thank you.
P.S. Speaking of Queen, if you bump into John Deacon, ask him if he ever did anything further with electronics (his major at university). Being a geek, I often wonder about that.